He than said after a minute or two that it was cool. I most have just disapered to that security guard. There's a secruity guard after me" He said cool and covered me with his legs. Underneath about four people I looked up and said the Head."I'm from Kansas,Just snuck in. It was drums so most people were sitting.
Got down under the legs of the people in the seats and was planning on crawling backwards all the way down the row to the other side. So I turned around and saw the wall in back of the stadium. Had a can budweiser and half a half pint of wild turkey on me. Had taken some boomers earlier and because I was not expecting to be inside. Meet her at RFK that summer.Hi Not even close to finding her but ended up straight in the back of the centre. Than ran to were I thought a girl I knew might be sitting. I slipped right in and walked in white light right past the guard cause he was to busy watching the dancers in front of him. Probably got their tickets cause the were in the Washington scene were leaving. But wanted to see the light show before I left peeking through the curtains of the hall through the glass doors of the centre. My friend and I drove from Kansas to the show with many problems. The tickets were almost impossible to get on the lot as one could tell. Everyone knows about the Terrapin, and it is one of the best, but here it is just one portion of an all together epic concert. But, for good measure, yes, this show is sprints up to the edge of the cliff and jumps off, sans parachute, without a 2nd thought.
With all the reviews already up on this AUD I don't really need to. So while this is a very strong source, I would strongly recommend going with the Hubbard AUD if you are not looking for the big AUD style of the LaPorte. It separates from this Nak300 source in that it is a bit more crisp and the instrument tones haven't lost as much of their biting edge as they have in this source. The Hubbard AUD for this show is also on the opposite side of the tracks from the LaPorte source. It lacks the power of the LaPorte source, though if you are after a more clean, even ended AUD, LaPorte is not for you. The crowd noise only pops up in select places, and the instrument/vocal levels are very good. In contrast with the LaPorte AUD available for this show, this(Nak300) is a more clean source. This version of the song is enormous, and the AUD recording is so good there is tons of headroom for that 7:30 assault of hard, deep lows. Having been at DAR Constitution Hall on 08/17/95 with the Deadhead brother that got ME into the Dead in the 80s, those lines are sorta poignant to me.
#Grateful dead hat full
There I am howling out loud with Bobby, "We are on our own." Not even a full moon tonight. Then I get teary again for Brent's most beautiful "I Will Take You Home," and then good gods have mercy, I'm utterly shocked to find myself honestly emotionally involved with August West for the very first time in my life, and well and truly so full of August's romantic righteousness, that the move into "Throwing Stones" seems perfectly right, and it all comes kicking out. Glad this recording caught the Drums, as our Rhythm Devils were clearly ready to bring the curtain down on a composition that started 22 minutes ago. I bet everyone was having an, "Is this going to end up a new road-built song?" moment. Crowd is in pure bliss as some of the tightest jamming is months is happening right there for them. Drummerz having a BLAST, listening to each other, and driving the vibe, Phil just going to town, Brent sprouts two more hands in the middle there, while Bobby and Jerry just feed off each other. Gosh, that jam just makes me smile out loud every time I hear it starting up on my big ol' Grateful Dead digital jukebox.
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